OneTribune

By Donna Thomas

Bridges of Words: Haikus Uniting Cultures from 57 Countries of the World by Esperanza Pretila, editor of this platform, has been released. Here are the details:

Genre: Poetry
Sub-genres: Global haiku anthology, cultural poetry, travel-inspired verse
Themes: Unity, cultural identity, belonging, interconnectedness, memory, resilience, nature, shared humanity

Bridges of Words can be read as an observational project rather than an explanatory one. Instead of attempting to interpret cultures or draw conclusions about shared humanity, the collection gathers brief sensory and emotional impressions from fifty-seven countries. The poems focus on fragments—sounds, textures, rhythms, and everyday atmospheres—allowing patterns to emerge indirectly through accumulation.

The use of haiku encourages a slowed pace of reading. Its brevity invites pauses and reflection, asking the reader to attend to small details rather than extended arguments or descriptions. In this sense, the collection prioritizes attentiveness over information, offering moments designed to be registered rather than analyzed.

The anthology moves across varied settings, from Canadian landscapes to Brazilian urban spaces, from Sri Lankan religious imagery to industrial European environments. These shifts are presented without extensive framing or contextual explanation. The poems do not attempt to summarize places or resolve their complexities; instead, they isolate specific moments that suggest lived experience without claiming completeness.

A recurring feature of the collection is its balanced restraint. Beauty and difficulty are both present, but neither is emphasized to the point of spectacle. The poems avoid promotional idealization as well as overt critique, positioning themselves as records of observation shaped by proximity and attention rather than interpretation or judgment.

Readers interested in short lyric forms, global perspectives, or sensory-based writing may find the collection engaging. Those who prefer linear narrative, detailed exposition, or argumentative depth may find the structure diffuse, as the book relies on implication rather than explanation. The experience is closer to browsing than to following a sustained thesis.

Overall, Bridges of Words presents itself as a set of encounters rather than a comprehensive statement. It emphasizes connection without asserting authority, offering impressions that invite reflection while leaving conclusions open to the reader.

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